On August 11, in accordance with tradition of the closing ceremonies, IOC President Thomas Bach, called these Olympic Games “sensational”. And then jokingly added, SEINE-sational.
There were 206 competitive entrant nations and/or assemblies of athletes paraded along the Seine during the opening ceremonies. Bach also decried these Olympic Games as the ushering of the new era… What eloquent ways to justify the presence of evil in various forms, that was sanctioned by and dissemenated throughout the world by IOC.
I cannot possibly cover everything that transpired during these 17 “sensational” days. My overview will list only those items, which I find the most need to address.
Much emphases placed on the justice and equality of women in the Olympics during the opening ceremonies, including the gilded statues. To dilute the number of historical statues in Paris, most of which happen to be male, the organizers decided to “set a precedent for future events”, i.e. encourage other nations reevaluate histories of their nations as to the role women played. A concept that is normally known as historical revisionism, was packaged as A Tribute to Trailblazers. Statues are of women that represent modern radical left: Simone de Beauvoir (1908–1986), a notable feminist; Simone Veil (1927–2017), Holocaust survivor and abortion advocate; Olympe de Gouges (1748–1793), French Revolutionary and author of Declaration of Women’s Rights; Alice Milliat (1884–1957), founder of Women’s Sports Games; Gisèle Halimi (1927–2020), a lawyer and pro-abortion and human rights activist; Paulette Nardal (1896–1985), specialized in celebrating black identity and culture and promoting racial and gender equality; Jeanne Barret (1740–1807), the first woman to circumnavigate the globe whilst disguising herself as a man; Louise Michel (1830–1905), Paris Commune anarchist and activist; Christine de Pizan (1364–1430), a poet; Alice Guy (1873–1968), one of the pioneers of cinema.
I find that since the current cultural revisionism increased its hold of the Western civilization, as a direct response to post 9-11 calls to be kinder and gentler to our muslim neighbors, the insanity I lump into one word SOCIALISM has spread like fire through an old wood barn, and the roof is just about ready to cave in.
Here my Facebook post: While watching the very creative Olympics 2024 opening ceremony yesterday, I was impressed and bothered at the same time. Superb idea to showcase Paris by bringing the Parade of Nations by Seine on boats and stage various performances along the river banks, in my mind, was marred by the following disturbing acts that were inappropriate not only for children but for overall sanity of the ordinary viewer (I may not have picked up on everything and I list only my top 5):
- Beheaded Marie-Antoinette, blood and bloody smoke – an outright call to revolution. Not a history lesson, as some suggest.
- The library sex trio. Whilst served on a platter of intellectual stimulation to the brainy, it was a very creatively constructed message of replacing racial and sexual clarity with genetic hybrids. Sort of like seedless watermelons or non-allergenic dogs.Also, since we are in Europe, sending the very acute subliminal message that white girls no longer belong to white boys…
3) The opera singer dressed as French Revolution holding French flag was black not because of DEI but because it is a restated call to new revolution.
4) The ‘fashion’ show, especially in combination with many other theatrics of the event, would have easily qualified for the Peter Barnum Human Oddities in yesteryear. To put it politely. At least French Lady Liberty was attractively dressed, even if she was wearing a lavish undergarment. Fashions shown here were a ruthless perversion of fashion. Coco Chanel would have rightfully committed them all to the insane asylum.
5) The dark torch bearer figure — again, so imaginative a character, but so obviously a call of darkness.
The bacchanalia tableau, complete with Bacchus himself, to so many Christians was a direct offense, as their initial positioning was a deliberate reference to Leonardo’s Last Supper. To me, it was one of way too many cacophonies to get away with religion in favor of paganism and atheism. I. e. a call for religious revolution, which in the era of widespread Islamization and its extreme intolerance to everything else, is the most dangerous revolution call of all. Just look at Iran and all the wonderful things there…under burkas.
Gorgeous theatrical delivery, beautiful achievements in sound, but shameless propaganda against the pillars of Western Civilization delivered in one show to every corner of the planet…
